By Cliff May
In Europe, free speech may end with neither a bang nor a whimper – but with a lawyerly assist.
It was three years ago this month that the Danish newspaper, Jyllands-Posten, published twelve editorial cartoons satirizing Islamist terrorism. Some Muslim organizations objected. Protests were organized. Danish embassies in Syria, Lebanon and Iran were set ablaze. Dozens of people were killed. The cartoonists and their editors received death threats from such characters as Mahmoud al-Zahar, a senior Hamas leader in Gaza.
Kurt Westergaard is the artist who drew the most iconic and controversial cartoon: He depicted Mohammed with his turban turned into a bomb, its fuse lit. His message was clear: Here is how Mohammed appears to those who learn about Islam from suicide bombers. Westergaard is neither apologetic nor regretful. But he has said as clearly as he can that his drawing was aimed “at fanatic Islamist terrorists -- a small part of Islam.”
Westergaard has required police protection ever since. Last year he had to leave his home after Danish intelligence learned of a “concrete” assassination plot. Earlier this year, he also was forced to leave the hotel in which he had been staying because he posed “too much of a security risk” to other guests and staff. Read more ...
In Europe, free speech may end with neither a bang nor a whimper – but with a lawyerly assist.
It was three years ago this month that the Danish newspaper, Jyllands-Posten, published twelve editorial cartoons satirizing Islamist terrorism. Some Muslim organizations objected. Protests were organized. Danish embassies in Syria, Lebanon and Iran were set ablaze. Dozens of people were killed. The cartoonists and their editors received death threats from such characters as Mahmoud al-Zahar, a senior Hamas leader in Gaza.
Kurt Westergaard is the artist who drew the most iconic and controversial cartoon: He depicted Mohammed with his turban turned into a bomb, its fuse lit. His message was clear: Here is how Mohammed appears to those who learn about Islam from suicide bombers. Westergaard is neither apologetic nor regretful. But he has said as clearly as he can that his drawing was aimed “at fanatic Islamist terrorists -- a small part of Islam.”
Westergaard has required police protection ever since. Last year he had to leave his home after Danish intelligence learned of a “concrete” assassination plot. Earlier this year, he also was forced to leave the hotel in which he had been staying because he posed “too much of a security risk” to other guests and staff. Read more ...
Source: Townhall.com
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